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Other Issues:
Dada and Photomontage across Borders
Volume 36, Number 2 107, Summer 2009
[Index by Author]
Articles
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Cover (PDF)
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Articles
Contributors
New German Critique 2009; 36(2 107): ii; DOI:10.1215/0094033X-36-2_107-ii
[PDF]
The Editors
Introduction
New German Critique 2009; 36(2 107): 1-4; DOI:10.1215/0094033X-2009-008
[PDF]
Andrés Mario Zervigón
A "Political
Struwwelpeter
"? John Heartfield's Early Film Animation and the Crisis of Photographic Representation
New German Critique 2009; 36(2 107): 5-51; DOI:10.1215/0094033X-2009-001
[Abstract]
[PDF]
Sabine Kriebel
Manufacturing Discontent: John Heartfield's Mass Medium
New German Critique 2009; 36(2 107): 53-88; DOI:10.1215/0094033X-2009-002
[Abstract]
[PDF]
Elizabeth Otto
A "Schooling of the Senses": Post-Dada Visual Experiments in the Bauhaus Photomontages of László Moholy-Nagy and Marianne Brandt
New German Critique 2009; 36(2 107): 89-131; DOI:10.1215/0094033X-2009-003
[Abstract]
[PDF]
Maria Gough
Back in the USSR: John Heartfield, Gustavs Klucis, and the Medium of Soviet Propaganda
New German Critique 2009; 36(2 107): 133-183; DOI:10.1215/0094033X-2009-004
[Abstract]
[PDF]
Cristina Cuevas-Wolf
Montage as Weapon: The Tactical Alliance between Willi Münzenberg and John Heartfield
New German Critique 2009; 36(2 107): 185-205; DOI:10.1215/0094033X-2009-005
[Abstract]
[PDF]
Karin L. Crawford
Gender and Terror in Gerhard Richter's
October 18, 1977
and Don DeLillo's "Baader-Meinhof"
New German Critique 2009; 36(2 107): 207-230; DOI:10.1215/0094033X-2009-006
[Abstract]
[PDF]
Bernhard Malkmus
Intermediality and the Topography of Memory in Alexander Kluge
New German Critique 2009; 36(2 107): 231-252; DOI:10.1215/0094033X-2009-007
[Abstract]
[PDF]
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Copyright 2009 by New German Critique, Inc.