Articles

Contributors
New German Critique 2009; 36(2 107): ii; DOI:10.1215/0094033X-36-2_107-ii [PDF]  

The Editors

Introduction
New German Critique 2009; 36(2 107): 1-4; DOI:10.1215/0094033X-2009-008 [PDF]  

Andrés Mario Zervigón

A "Political Struwwelpeter"? John Heartfield's Early Film Animation and the Crisis of Photographic Representation
New German Critique 2009; 36(2 107): 5-51; DOI:10.1215/0094033X-2009-001 [Abstract] [PDF]  

Sabine Kriebel

Manufacturing Discontent: John Heartfield's Mass Medium
New German Critique 2009; 36(2 107): 53-88; DOI:10.1215/0094033X-2009-002 [Abstract] [PDF]  

Elizabeth Otto

A "Schooling of the Senses": Post-Dada Visual Experiments in the Bauhaus Photomontages of László Moholy-Nagy and Marianne Brandt

New German Critique 2009; 36(2 107): 89-131; DOI:10.1215/0094033X-2009-003 [Abstract] [PDF]  

Maria Gough

Back in the USSR: John Heartfield, Gustavs Klucis, and the Medium of Soviet Propaganda

New German Critique 2009; 36(2 107): 133-183; DOI:10.1215/0094033X-2009-004 [Abstract] [PDF]  

Cristina Cuevas-Wolf

Montage as Weapon: The Tactical Alliance between Willi Münzenberg and John Heartfield

New German Critique 2009; 36(2 107): 185-205; DOI:10.1215/0094033X-2009-005 [Abstract] [PDF]  

Karin L. Crawford

Gender and Terror in Gerhard Richter's October 18, 1977 and Don DeLillo's "Baader-Meinhof"
New German Critique 2009; 36(2 107): 207-230; DOI:10.1215/0094033X-2009-006 [Abstract] [PDF]  

Bernhard Malkmus

Intermediality and the Topography of Memory in Alexander Kluge
New German Critique 2009; 36(2 107): 231-252; DOI:10.1215/0094033X-2009-007 [Abstract] [PDF]  

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