Articles

David Bathrick

Whose Hi/story Is It? The U.S. Reception of Downfall
Translated from the German by Rachel Leah Magshamrain and David Bathrick
New German Critique 2007; 34(3 102): 1-16; DOI:10.1215/0094033X-2007-008 [PDF]  

Johannes von Moltke

Sympathy for the Devil: Cinema, History, and the Politics of Emotion
New German Critique 2007; 34(3 102): 17-44; DOI:10.1215/0094033X-2007-009 [PDF]  

Ursula von Keitz

Between Dramatization and Epicization: The Portrayal of Nazi Crimes in Exemplary German Films from the Late 1940s to the 1970s
Translated from the German by Rachel Leah Magshamrain
New German Critique 2007; 34(3 102): 45-60; DOI:10.1215/0094033X-2007-010 [PDF]  

Judith Keilbach

National Socialism as Docudrama: On Programmed Ambivalence in Heinrich Breloer's Speer and Hitler
Translated from the German by Rachel Leah Magshamrain
New German Critique 2007; 34(3 102): 61-74; DOI:10.1215/0094033X-2007-011 [PDF]  

Margrit Frölich

Perpetrator Research through the Camera Lens: Nazis and Their Crimes in the Films of Romuald Karmakar
Translated from the German by Rachel Leah Magshamrain
New German Critique 2007; 34(3 102): 75-86; DOI:10.1215/0094033X-2007-012 [PDF]  

Karsten Visarius

What Can the Criminal Want after the Crime? Volker Schlöndorff's Ninth Day
Translated from the German by Rachel Leah Magshamrain
New German Critique 2007; 34(3 102): 87-100; DOI:10.1215/0094033X-2007-013 [PDF]  

Annalisa Zox-Weaver

At Home with Hitler: Janet Flanner's Führer Profiles for the New Yorker
New German Critique 2007; 34(3 102): 101-126; DOI:10.1215/0094033X-2007-014 [PDF]  

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